Get Hard "Forced Addict: Part One (Four Months)"

Get Hard
Forced Addict: Part One (Four Months)
Waterpower
(3)

A short sampling of dirty noise from Get Hard. Reminds me of some of the stuff i listened to back in the 90's. Taint, Smell and Quim maybe some of Morgan Henderson's (Fleet Foxes, Blood Brothers) cassette work. Real gritty, lo fi noise and pulsing rhythms with the occasional vocal to add to what is just plain dirty and wrong. This little c10 is short and dark. Good work. Wouldn't mind this being a little bit longer but I appreciate the restraint.

Bear-Man cs

Bear-Man
Phantom Head
(4)


Fuck. This is good. This British trio consisting of guitars, electronics and a drummer plays very noise driven improvisational pieces in the spirit of John Zorn meets Wolf Eyes. The six improvisational tracks run at about 45 minutes which may seems a little long but the playing on this cassette is exceptional. The drummer is unbelievably talented. Obviously someone who has been playing well for a long time. Jazz influenced patterns and beats but played in way that moves the tracks forward. With this sort of music you can often get just noodling nonsense that is devoid of any movement or value. Bear-Man transcends that. The guitar and electronics work perfectly with the rhythms and move the tracks forward to their end. The cassette itself is simply designed but has some of the best cover artwork I have seen in a long time. Both the audio and visual are inspiring. Excellent work.

Josh Lay & Teeth Collection LP

Josh Lay & Teeth Collection
Husk Records/Factotum Tapes
(4)

God bless you Josh Lay. His label, Husk Records, has been releasing excellent work from a bevy of experimental artists for awhile now. This collaboration is apparently has been waiting in the wings for while now and it's great that it has surfaced. A 12" and a cdr make up a huge body of work from both Josh Lay and Teeth Collection. It's a epic sampling of two top noise artists creating something bigger than the two of them. a huge maelstrom of noise and drones that starts on the LP and ends on the cdr. I guess the cdr is from a out of print cassette and has a couple individual tracks as well. This LP, limited to 200 copies, will probably be gone soon so I recommend grabbing one as soon as you can. Good luck.

A Story of Rats "relinquishment" cs

A Story of Rats
relinquishment
FSS
(5)

Those unfamiliar with Garek Druss' work should take this opportunity to check it out. This Idaho native has been working his synth mastery for a few years now. Often collaborating with other acts, he can elevate their work with his brand of analog drone. From the debut Pussygutt LP, his constant work with Adam Svenson in Dull Knife to his work with Portland's Tecumseh, A Story of Rats is a valuable player in experimental music these days. Relinquishment is made up of two excellent compositions. The first is made up of beautiful sweeping drones move slowly through each other to create epic soundscapes. The second side features similar treatment from Garek Druss but with the addition of guitar supplied by Mathew Merris; a childhood friend of Garek's. I would like to think of this as a preview of his new full length that should be out on Eiderdown Records or maybe a sequel to his cd on Debacle Records. Either way I would recommend jumping on this excellent cassette before the 100 copies have disappeared.

Providien "followed by a wraith" lp

Providien
followed by a wraith
Amethyst Sunset
(4)

I fucking love the Midwest. With Hanson Records and everything amazing coming out of Chicago, the Midwest is a hub of interesting experimental projects these days. In the case of Providien you have a band made up of Mark Van Fleet from Sword Heaven and Nathan Reynolds of American Jobs; both hailing from Ohio. This record is a sprawling collection of tracks; from grim atmospheric synth destruction, a la Throbbing Gristle, to lo fi acoustic guitar wanderings. Some songs actually verge on rock with over saturated beats and broken guitars. All very bleak and totally destroyed. It's really well assembled songs that have some strong structures for something so abstract. Excellent work and hopefully not the last time I will hear from these two. Limited to 200 copies.

providien - "seeker of the sun" by amethyst sunset

Remnants "vision being"cs

Remnants
vision being
Imminent Frequencies
(4)

Two long drone pieces apparently based on vocal work that both really sound like the inside of a cathedral slowly being destroyed by a hurricane. Sad, beautiful and full of obliterated chants of long dead monks. Each piece is unique but travels along a similar path. Heavy and noisy drones that almost build to a point of harsh noise but somehow stays focused. I am very impressed with this release from what was a new band to me. I am looking forward to more work from this Brooklym based act. Limited to 50 copies.

Lungwash "by myself to myself sacrificed" cs

Lungwash
by myself to myself sacrificed
self released
(4)

This is right up my alley. Subtle, lo fi drones made to sound like a lost shortwave transmission. So quiet and lonely sounding that you can't help but feeling really alone when hearing this. I think this would be right at home on Hanson Records' series of cassettes. Similar in it's focus and restraint to Aaron Dilloway's catalog. Excellent work. Limited to 40 copies. I don't have any label info as I believe this is self released but you can email here for a copy lungwash@gmail.com soon. These may be gone.

6335/dBpm/Silver Antlers/Transcode 4-way split cs

6335/dBpm/Silver Antlers/Transcode split cs
Chthonic Records
(3)

Utah has some pretty killer sounds coming out of it these days. This four way split is made up of 75% Utah acts and it's a pretty awesome cross section of potential. 6335 starts out with what i think is a live performance full of ever shifting waves of distortion and glitches before settling into some restrained drones. The audio on this is a little lacking but I assume that is the live quality of the recording. dBpm is very beautiful. Reminds me a bit of Sigur Ros' approach to drone and ambient. Silver Antlers (who I believe is the only non Utah based project) delivers a track that sounds very professional and has a touch of rhythm throughout it. It leans a bit towards a Brian Eno style of minimal electronic. Finally, Transcode sounds like they took a song with piano, acoustic guitars, drums and horns and completely destroyed it. Cut up sounds start out the chaos before super restrained tones finish off this release. Well done. The packaging is simple and very dig. Everything is handwritten, the outside, the insert and all done with a Bic pen. The outsides are spraypainted as are the tapes. You will also receive a download code, so that rules. Limited to 40 copies.

Bonesfield/Facialmess "sabotage" cs

Bonesfield/Facialmess split cs
sabotage
Phage Tapes
(3)

First of all this tape looks fucking cool. The artwork is totally wild. Super intricate machines that look like a Robotech version of biomechanics. It's crazy. The design of the tape is a little bit 90's but it's expertly done. The designer obviously had a vision when designing with Stumptown Printers' "Brad" cassette packaging. I would definitely pick one of these up, open it and marvel at the meticulous artwork and two color screen printing. Intense… Now onto the sounds. Bonesfield is pretty rad harsh electronics. Sounds a bit like more recent Merzbow with a heavy use of filters. The sounds on here tend to lean towards the techno side of noise. Imagine a touch of Aphex Twin with your harsh noise. I can imagine a pair of Akai samplers being played and manipulated. Lot's of dynamics throughout the 8 shorter tracks. It's basically a full length release on one side of the tape. With Facialmess you get a similar type of noise. I guess if Bonesfield has a touch of Aphex Twin then Facialmess has a more generous helping of Squarepusher. Still noise, no slap bass or break beats but you get these glitchy stuttering bursts with a lot more empty spaces. There is quite a bit of samples and you all know how I feel about samples at this point. On this release they do create an interesting narrative, but they don't really seem to go anywhere after you get through the four tracks. Well worth checking out though.

Parasitic Twins "s/t" cs

Parasitic Twins
s/t
Midwestern Decline
(3)

Super fast 90's hardcore played by a contemporary band. At times, when it is at it's best, it can sound a lot like Infest. That is a very good thing; pissed, fast, loose and belligerent. I love it like this. Most of the nine songs lean this direction and it takes me back. Occasionally they go a bit more melodic and it gets real close to the pop punk side of hardcore and I am not too into that stuff. Still worth looking into if pissed, fast hardcore with an early 90's sound is something you are into. Includes a download code and pretty punk xeroxed covers.

Winters in Osaka "never coming back" cs

Winters in Osaka
never coming back
self released
(4)

Really diverse sounds from Winters in Osaka. Starts off with a cold whirlwind and then fades into a sad sounding acoustic guitar. Vaguely reminiscent of LSD March before it falls into some gorgeous drones. Somewhere between the analog of throat singing and synths with the digital of sine waves and pedal effects. All used in a thoughtful and subtle way. Very restrained. I am not familiar with WIO yet but I imagine that the collaborators on this release did color the sounds a bit. Although with the collaborative efforts of Robbie Judkins, Jim Katatonic, Greg Ratajczak and A.C. Way there really is a focused singular vision. I am impressed. I am a little less then excited by the one sided cassette thing though. I never like that. Especially when reviewing, it just says to me, "I hope you love rewinding". I don't.

Baculum/Breaking the Will 2xcs

Baculum/Breaking the Will 2xcs
Phage Tapes
(4)

Harsh, ever shifting electronics from Baculum. Sounds full of hate, pain, fear. Two tracks of sharp twitching noise. Bleak and dangerously harsh. Recommended for sure. Breaking the Will is a belligerent narrative told with broken up samples and bits of harsh noise. It sounds a bit more crusty than Baculum and the samples seem to reference fights and cops. "I've never been beaten before, but that looks bad. That it is man…." Fucked.

Blue Sabbath Black Cheer/Wicked King Wicker split LP

Blue Sabbath Black Cheer/Wicked King Wicker split LP
Gnarled Forest Recordings/Noiseville Records
(4)

A brutal split offering from two different but like minded grim acts. First is BSBC with their side sounding like it was recorded in the belly of a giant hulking steel bellied freighter bound for hell. Truly grim anti-music from the duo of Stan Reed and wm. Rage. BSBC would do the best soundtrack work if someone would just make a movie dark enough. Maybe if Guillermo Del Toro's "At the Mountains of Madness" ever gets made this could be the soundtrack. The reverse side is from Wicked King Wicker is equally bleak in a totally different way. It starts with what sounds like some very heavy bass guitar right before it falls into a plodding pit of blackened noise and feedback. The occasional screaming vocal and wave of piercing distortion break up the chaos by adding to it. As i said before. Brutal. Limited to 300 and probably disappearing fast.

Moonknight "toplov" cs

Moonknight
toplov
Universal Consciousness
(4)

I don't think this has anything to do with Jewish super hero Marc Spector or the Egyptian god Khonshu but it is excellent Black Metal from the label Universal Consciousness. Similar to Lord Time in it's amazing lo fi "bedroom Black Metal" sound but goes in a totally different direction. The songs are very morose and sad. Longer more restrained guitar riffs and more present vocals. I am not as big a fan of the black metal production thing where vocals are the loudest thing in the mix. It really just kinda makes the guitars sound quiet and not tough at all. That is not a constant on this recording; only a couple times does that come up and it's used to a pretty interesting effect. I do prefer the other tracks where the vocals sit nicely in the music. I guess this is another member from Harassor who goes by the moniker Lord Foul or possibly James Brown III. Either way he has a very competent approach to the song writing on this record. It was described as "Shoegaze Black Metal" and although I have never heard that before I can see why. The epic nature of the riffs, the melancholy feeling, the walls of distortion and raw nature of the recording certainly bring a level of "shoegaze" to mind. I really suggest checking out this cassette and the Lord Time one mentioned below. Both limited to 100 copies.

Lord Time "forgotten future" cs

Lord Time
forgotten future
universal consciousness
(5)

This is Black Metal. As a genre that has been co-opted and redefined many times, I feel that people spend a lot of time and energy on how legitimate someone's version of Black Metal is. It seems like a waste of time because even the most "trve" black metal can either sound like Bathory or it can sound like atmospheric ambient stuff and still hit the mark. People will argue about whether Wolves in the Throne Room are black metal or grey metal or if Deathspell Omega is still, or ever was, black metal. I don't know nor do i care. Black Metal is like pornography; you know it when you hear it. Lord time is most definitely Black Metal. I would almost put it in with the Les Légions Noires type of stuff sonically. It's a little crusty, a little atmospheric and also is self described as "bedroom black metal". I assume that refers to the recording quality. Very lo fi and awesome. The guitars, which are nice and loud in the mix, are obviously played through a sans amp into a board or possibly mic'd poorly through a small practice amp with everything set at 2. It sounds gritty as hell. Excellent short tracks of fast and fucked up sounds. Often accompanied by samples of distant chants and walls of harsh static. Same songs on both sides but the song order and the overall sound is totally different. Lord Time is the solo work of Andorkappen from the group Harassor. I myself have never heard of Harassor but I think I need to check this group out. Lots of creativity but with a level of reverence to the founders of Black Metal. Really nice letterpresses j cards and good design. Oh yeah, there is also blood smeared on the cassette. So, yeah. Fuck.

Japanese Women "order" cs

Japanese Women
order
Tapes of a Neon God
(5)

Totally amazing dirty, punk, fucked noise rock from Montgomery Alabama. Super rhythmic and pissed throughout. Kinda reminds me of Rudimentary Peni meets Jesus Lizard but way noisier. The kind of songs where you imagine the bass player is probably strumming all the strings on his bass for most of the parts. The songs are catchy but really filthy. Not lyrically so much but just the sound of them. It sounds like music that would be blasted at you through a sewer grate. The vocals have a deranged David Yow and Mike from Eyehategod sort of delivery. It's pretty harsh. Great all around. I have listened to this release dozens of times this week. Nine tracks of pure noise rot. I love this. The artwork is stunning by the way. Free drinks to Anderson Cook. Excellent work motherfuckers.

Update!!!! Music!!!!

Japanese Women - Order by TAPES OF A NEON GOD

Robert Turman/Aaron Dilloway split cs

Robert Turman/Aaron Dilloway split cs
Hanson Records
(5)

This is why I love buying cassettes. Robert Turman was in the legendary NON and Aaron Dilloway is known by all to always do fantastic work. The pedigrees alone are enough for you to take the risk and pick this up. The first sides starts with these scary vocal and noise loops that create an interesting five minute long rhythm. Then these strange horns come in and you feel like you are actually listening to someone have a bad dream in an alternate reality where the nazis won WWII. It just gets better from there. I have probably done serious damage to this tape by playing it so much. The artwork is the usual gorgeous, simple and perfect artwork you expect from Hanson. I don't think it's out of print so i recommend picking this up right away.

Raven Strain "trisagion" cs

Raven Strain
trisagion
Hanson Records
(4)

This is grind. Not grindcore or whatever but there is a constant grind that sits in your brain and will not cease until this c15 runs out. Synths, tv static, and pedal effects all help compliment what sounds like microscopic butchery. This stuff may actually make your brain break. My wife has asked me not to listen to this stuff around the baby. Great artwork in Hanson's signature packaging.

Slicing Grandpa/Dried Up Corpse split cs

Slicing Grandpa/Dried Up Corpse split cs
untitled
self released
(4)

Well, there little to no information on this tape. The cover is a still from that scene in The Shining where the elevators spill blood everywhere. So it's go that going for it. It's still a nicely printed cover just with no text anywhere on it. The tape itself has both projects names scrawled in pen on the cassette itself. I think the Slicing Grandpa side was recorded live. It is very lo fi and has some strange distant vocals and drums. I appreciate this type of recording. It's raw and mesmerizing. I am usually not a fan of drums being used in noise but i think due to the recording quality it creates an almost Crash Worship live bootleg kind of vibe. Dried Up Corpse is as usual totally brutal. Stan Reed's work is so focused that you start to get the feeling that it's all part of a larger singular work. I bet if you listen to all of it in order you will open a portal to hell like in the Hellraiser comics. No idea how to acquire this tape or how many were made.

Knelt Rote "insignificance" LP

Knelt Rote
insignificance
Parasitic Records/Forest Records
(5)

Jesus fucking christ. Best band in the Pacific Northwest right now is Knelt Rote. Equal parts harsh noise and grindcore that is delivered like locusts in your brain. I am so pleased to own this record. Three epic tracks that constantly evolve in ways that make other bands kinda feel like assholes. Super heavy vocals, really tight drums and excellent playing from both guitar and bass. It's almost perfect. The noise fits perfectly with the music and is done with total mastery. Gordon from Oscillating Innards does the noise and sings so you know that part is going to be good. Rumor has it that he is going to start playing guitar as well as singing and handling noise. I worry that live it may hold back how intense they are if Gordon is anchored to an instrument; Gordon brings absolute violence as a front man. Although with this band's high taste level I think they are going to create something brilliant again. Get this record.

Dried up Corpse "Lonely Death" 3"cdr

Dried Up Corpse
lonely death
Gnarled Forest Recordings
(4)

This is nineteen minutes spent in a windstorm of knives and the only breakthroughout is some terrifying pitchshifted vocals. I think they are vocals. It's hard to tell because it's very intense throughout. My mom used to cry when she would hear the music i listened to when I was a kid; The Accused, Slayer, Black Flag… She actually destroyed a bunch of my tapes in a Christian moment of righteous rage. I think if she had heard stuff like this I would have been sent to an institution. That other music made her weep, Dried Up Corpse makes Christ weep.

Nervous Corps "exclusion=isolation" 3"cdr

Nervous Corps
exclusion=isolation
Gnarled Forest Recordings
(4)


This is William from Blue Sabbath Black Cheer's latest endeavor and it's pretty fucking brutal. Thick heavy HNW that does not ever relent. This is not music and should not be considered as such. This is a "fuck you" to music and you need to endure this. Super thick walls of crashing noise. You almost feel it pressing down on you as you listen. My baby daughter is listening to this with me and I worry a little about her. She dances to the sound of the washing machine and the blender more than the Wiggles or Yo Gabba Gabba. I may have broken her.

Arvo Zylo "saint street"

Arvo Zylo
saint street
No Part of It
(3)

Harsh noise instantly pummels you on this release over it's ten tracks. It's a bit on the long side but the note I received with it informed me that it is made up of two separate full lengths. Lots of interesting dynamics throughout both sides of this cassette. Not totally a HNW but punishing enough to make you need to take a break between side one and two. Subtle moments of melody desperately try to break through the noise like someone trapped under ice. Quiet dark at times but it avoids the whole blackened noise thing and just barrels straight ahead in the way some of the later Birchville Cat Motel releases did. I think this may have benefitted from being broken up into two releases but it's pretty damn good.

Happy Noose "s/t"

Happy Noose
s/t
self released
(3)

Pretty awesome punk rock from this Olympia, Wa trio. I guess this cassette holds a couple songs from their demo and some up coming tracks from an LP. Tight, upbeat and played with enthusiasm. Kinda reminds me of Sub Society meets Lync. Definitely worth checking out if that sounds like it's your thing. Packaging is simple and perfect. Xeroxed covers that are poorly hand cut really adds to the release. Nice work.

Cock of Corpse "victims of circumcision"

Cock of Corpse
victims of circumcision
Tape Rape
(4)

Wow. This is noise. This is wake your baby up from her nap and hope to god that hearing this won't fuck her up forever noise. Starts with a distorted guitar playing what sounds like a throw away AC/DC riff and then collapses into piercingly sharp feedback and harsh noise. Not much in the way of low frequencies. Just painful jabbing noise. You still hear some strange guitar throughout but it seems to be playing a duet with old bed springs and explosions. I believe Lasse Marhaug is half of this Cock of Corpse duo and you can hear it. Masterful understanding of sound manipulation and an ability to really fuck you up with it. I was apprehensive at first when I received this but I am pretty stoked to hear this in one sitting.

Oakeater "intrusion"

Oakeater
intrusion
Nihilist
(5)


Absolutely creepy. It swells and builds like an anxiety attack. I have been floored by every recording Oakeater has released and this cassette was one of my first exposures. It clearly comes from a very dark place and parts of it has stuck with me for a long time. I only wish I could get a chance to see them live someday. The packaging is simple and beautiful. Screen printed covers and plain black tapes with the catalog number scratched into it's surface. Limited to 100 copies with their first live performance as well. Crucial. That's the perfect word to end with.

Blue Sabbath Black Cheer & Irr. App. (Ext.) LP

Blue Sabbath Black Cheer & Irr. App. (Ext.)
untitled
Gnarled Forest Recordings
(5)

This is fucking brutal. Grim and abusively violent. Horrifying soundscapes that produce overwhelming and brooding feelings of anxiety. Harsh bursts of noise take on the sound of earth being upended. Breaking sticks, water and sub harmonic vocals somehow recall a terrible nightmare of being consumed alive. Rising waves of buildings being destroyed and lives crashing to an end are stripped bare by the least musical use of a guitar I have heard in a long time. It's fucking glorious. I am very impressed and cannot recommend this enough. I have not heard the first recorded collaboration of BSBC & Irr. App. (Ext.) but I did get a chance to see them perform live. It was a dark and fear inducing swirl of hate and longing but this record somehow digs deeper and becomes much more destructive. From a soon to be sold out edition of 500 and comes with a huge fold out poster of the cover art. A strange collage of anatomy etchings that start to feel as if they could be a map for the Hell that is this record. Never stop playing this.

Mazakon Tactics "adorable atrocities"

Mazakon Tactics
adorable atrocities
No Visible Scars
(4)

This is nuts. Right off the bat you get twisted and erratic harsh noise. Not a wall but a cacophony of stabbing and scraping noise. Then right as you are getting your mind around this someone with a very fucked up voice starts screaming at you. Dark and blackened howls that totally carry this release. Often times you get what sounds like a mix between vomiting and dying from the singer. It's pretty grim and it's right in your face all the time. Really excellent work on this release. Limited to 50 copies and packaged in a 7" bag. Find it.

Over "s/t"

Over
s/t
No Visible Scars
(2)

I kinda want to give this a 3 rather than a 2 but i am torn. When I first put this on I was instantly into it. A super dark and lonely drone that seemed to fill the whole room with dread. I was getting ready to start taking notes but then all of a sudden some samples came it. A man was recalling his childhood in short bursts of edited samples. Talking about being a kid, going to Toys r us, jacking off and molesting. Maybe it's my age or even my exposure to a lot of this stuff in the 90's (I don't want to admit how many times I listened to Buyer's Market by Peter Sotos as if it were music) but I think this doesn't really effect me anymore other than making me a bit bored. The music on this release is excellent and right up my alley; super bleak and dark. When you add the samples over the top I get the feeling you want to force me to feel deep dark emotional torment and it becomes a bit contrived. Turns out the samples are not taken from another source. These are the artist's own confessions. That does make this a bit more interesting but sonically I still have the same issues. I think if I listened to one side of the tape and it was just the music and the other side was just the samples it would have been way more effective. That's the other thing. This tape is one sided. It's not exactly a deal breaker but you really need to go ahead and repeat the program on side B. Packaged in a 7" bag with a pretty grim photo on the cover though. Limited to 25 copies.

Nordvargr "the walls closing in"

Nordvargr
the walls are closing in
Small Doses
(3)

This is an epic piece of work. Almost overwhelming in it's scale. Three long tracks of punishing noise brutality. This is definitely a departure from Nordvargr's Pyrrhula full length which had a lot of dynamics and more subdued synths mixed with quiet samples of chanting and wind. This is straight up audio oppression. It's actually a little long for me. Almost an hour of intense rumbling and crushing that make your whole house shake. Don't get me wrong, it's pretty awesome but I was hoping for a bit more dynamics from this project. It's like one of those 100 ounce steaks you can order at steakhouses to try to get your name on a wall. It's too much of a good thing. Packaged in an interesting die cut fold over thing from stumptown printing. Small Doses consistently releases excellent looking and sounding releases and this is no exception. You may just want to attack it in separate sittings.

Fuck it. I am doing vinyl and 3" cdrs now as well.

For weeks now I have been turning down vinyl and cds for review. It's been kinda weird but i had wanted this blog to be focused entirely on cassettes. Dead Formats was my love letter to what i considered to be a dying format. So often people either download a record from a blogspot or pop a cd into their laptop, import it and shelve it. I wanted the spotlight to be on something that you needed to interact with. Something that, although you could import into a computer, took a little doing. I have decided that both vinyl and 3" cdrs really fall into that category. I can't put a 3" cdr into my laptop, nor do I have one of those lame USB turntables to import my records. I need to actually put one on each time I want to listen to either format. I will still be focusing mainly on cassettes. Those get top billing here. If you would like me to review a lathe, 3" cdr of something on vinyl feel free to send it along and I will give my two cents but I prefer cassettes. First up for vinyl will be the Irr. App. Ext./Blue Sabbath Black Cheer collaborative 12". This is going to be an important record and people need to know about it. I should have that review up this week. Stay tuned.

Also I think I am going to start all my non review posts with "fuck it" for now on.

Numb Erone/Nervous Corps split cs

Numb Erone / Nervous Corps
s/t
Gnarled Forest Recordings
(4)

Two severe examples of HNW 0r Harsh Noise Wall. Numb Erone is Pummeling while Nervous Corps is piercing. It all cuts right through you. This level of harsh noise is a bit much for some people but I think this is glorious. This release is right up there with Circuit Wound or any of the recent Dried Up Corpse releases. Just brutal. Simple artwork with hand stamped cassettes. From an edition of 25 copies. Go get this.

John Macedo "Pastel Blue and Clinical White"

John Macedo
pastel blue and clinical white
the Black Plume
(5)

The simple design for this release is striking. This is one of those ones where it can only look this good as a cassette. The vinyl could be done in the same way and look good but this is just a perfect thing to hold. Minimal and stark. The titles of the pieces are also a description of the packaging. The definition of cohesive. I want to give this a great review on that alone but there is the sounds to address. Luckily those are also fantastic. Simple analog synth improvisations done with the same amount of restraint as the aesthetic part of this release. Obviously someone with a great ear and some mastery of his equipment. My only tiny issue with this is that they give you a download code on a sticker that is right on the cassette and it kinda breaks up the nice design a little. They should have just slapped that sticker on the inside of the j card and kept the tape stark (I flipped the tape in the photo so the B side is facing out). Still real good.

Fuck it. Ratings are back...

So yeah, I have been thinking and agonizing over this. I am bringing the ratings back but i am doing a 1-5 scoring system. So just like Netflix you get:

5 - Really fucking good. Exceptional and exceeded expectations. Kill a man to own this.

4 - Great! Very pleased with this one. Excellent release. Seek it out.

3 - Totally solid. A complaint here or there but generally good and worth picking up.

2 - Not my thing. Fell a bit shy of the mark. Needs work. More cons than pros.

1 - Not good. Pissed at it's existence. Dogshit.

Or something like that. You get the idea. I wouldn't apply all those descriptions to a release that gets a 4 or 5 or whatever but you get the sentiment. Now I gotta go score everything. I will also bring back the tags to make it easier to sort releases by their scores.

I also limited the amount of posts per page at 25. That should help load things quicker and now that there are over 50 reviews on here you would have to go back to older posts anyhow.

thanks for the feedback!

Aural Antithesis "no concept"

Aural Antithesis
no concept
self released
(4)


First of all, this kind of packaging is what I first fell in love with when it came to this renaissance of cassette tapes. Found and damaged and not caring about how "pro" it may look. Recycled paper wrapped around a Maxwell brand cassette with printed inserts and a sticker and then the case just jammed around the whole package so those little pegs puncture the paper. Awesome. This aesthetic first struck me as a wonderful way to "judge a book by it's cover". It's fucked and therefore the music will be fucked. The two sides of this cassette show two different sides to AA. The first is a mellow and layered soundscape of synths and various textures. Really beautiful and reminds me a bit of the early Emeralds releases on Hanson Records. The second side is way more aggressive and twisted. Heavy noise brutality. You will not regret picking this up. There is only 20 copies though and I am not sure how to get one of these besides having it handed to you at a show last night. You could try this.

Guilty C./Maaaa split

Guilty Connector / Maaaa split
s/t
Triangle Records/XVP/Chaosynod
(5)


Holy shit. I am writing this right after I finished this for the first time and I am floored. I wasn't expecting this. Two very short tracks of intense noise and cacophony. Guilty C. is from Japan and sounds like being trapped in a giant Katamari of trash and death. Non stop horrendous noise that just wraps around your head and starts to crush it slowly. Maaaa hails from Poland and Russia and they have created a track that causes a ton of anxiety from the use of dogs barking alone. Frequencies and scraping sound accompany a giant choir made up of rabid animals. This sounds the way much of the Eastern Block looks. It's all very dark and horrid and I love it. Limited to 100 copies and obviously almost gone.

Horseback "forbidden planet"

Horseback
forbidden planet
Brave Mysteries
(5)

I actually missed out on this one. I just want to talk about how good this thing is and also how I am going to have to steal it from my friend who loaned it to me. Very different from the Invisible Mountain LP that has become so popular; this is more of an array of psychedelic transmissions crashing into each other. Dense and full of interesting textures and beautiful guitar swells and feedback and broken up by some eery twisted screams throughout. Definitely leaning more towards noise or even harsh drone I find myself really overtaken by the sounds on this cassette. No drums at all, just waves of constant crashing destruction and construction. I could listen to this all day, bummer I have to give it back.

Oskoreien "s/t"

Oskoreien
s/t
Seventh Seal Records
(5)

This is probably one of the better tapes I have received in awhile. Really beautiful and dark black metal from California. With it's neofolk moments and it's intensely mournful chord progressions I would say this stands up there with the latest Agalloch record but with a hint of Godspeed You Black Emperor in it's crushingly sad guitar crescendos. Really excellent stuff here. I have said it before but I love when someone takes the format of cassette serious and releases some really excellent work. Oskoreien is the work of Jay M. Valena and it appears that he did everything on this record. He is obviously one of those guys that drives you crazy with his ability to play every instrument and do it really well. He can even sing. When he decides to really sing instead of his brutal scream it's not even a little annoying. I am sure this will end up getting picked up by Southern Lord soon and be released on vinyl but for the time being I would really recommend grabbing this. There is a deluxe version of the cassette that comes with a tshirt, a photo print and a download along with the cassette. Go get it. Seriously.

No more ratings.

So I took away the "scores" for each review. I talked with another friend who does a lot of music writing and we both discussed the problems with these number systems. When doing a system that goes from 1-10 with the options of .5 in there as well, you have a 20 point spread for every release. I love a lot of what I review and I was giving a lot of 8.5, 9.0 and 10.0 to many releases and while they were all very good, I think I was scoring on my enthusiasm level for the release as opposed to the artistic acheivements of some releases. Is a cassette that i give a 10 to really as good as Reign in Blood? Is a 9.5 as good or better than Merzbow's "Pulse Demon"? Probably not. While I love that Thou cassette and listen to it often, can I really say that it is better than Slint's "Spiderland"? Probably not. While my writing is not the best music journalism you have ever read I think you get a pretty good idea of how I feel about each release without a number coloring the entire review. Let me know how you feel about this. I may need to come up with some sort of scoring for these cassettes but in the meantime please enjoy. I will be posting a bunch of reviews this week but i have to warn you, they are probably all 10s.

Dead Weight "the Age of I"

Dead Weight
the age of i
MInd Melt Enterprises
(2)

More straight up hardcore from Mind Melt here. Again not really something I really listen to much anymore unless I am feeling nostalgic. I have becomel very ignorant about hardcore in general these days. It seems like such a throwback to a time that never existed for many of the people involved. I remember missing out on seeing Inside Out and Youth of Today for one reason or another way back when but these newer bands see to be made up of people that weren't even born then. It makes me feel old and a bit confused really. Dead Weight play what sounds like tough guy hardcore. Cro-mags and MMA probably have similar influences here. The recording on this one is pretty good as it sounds legit. If you told me this was from 1990 I would probably believe you. Musically I wish that it were a bit more aggressive. I think everyone playing hardcore these days needs to pick up the End On End 7" and listen to that thing back to back with Cro-Mags "age of quarrel" and then grab a guitar and write the craziest shit ever. Maybe avoid using wah wah pedals, which this cassette has.